I'm going to skip right past this week's offerings by Mariah Carey and Hannah Montana (hope you don't mind) and kick off with one of my favorite singer/songwriters,
Kris Delmhorst. Her new release is
Shotgun Singer and it's fantastic. When her manager first told me about the new project, she said it was happier than her past efforts which made me sad. Kris does heartache way better than most and has gotten me through some tough times. Nevertheless, I put in the disc and beheld the glory. I really wouldn't call it a happy record. It's not really sad or dark, either. Let's go with tags like moody and contemplative, even rough-hewn to a certain degree. The vibe created by producer Sam Kassirer is utterly compelling and enveloping.
The Submarines return this week with
Honeysuckle Weeks. It's a pretty great sophomore effort from the alt-pop duo. The melodies and instrumentation both seem to have more diversity than on the last outing, and Blake (the girl) also takes the lead voice more often than not. This is a really fun and inventive project, slightly reminiscent of The Cardigans' best work (which, for me, is
Long Gone Before Daylight), though the Subs don't feel quite as dark. They definitely bring the sunshine along on this one.
Somewhere on the spectrum that includes duos such as The Submarines and She & Him is where we should stick
Wye Oak. Originally released under the Monarch moniker,
If Children was just re-issued. It bounces between aggressively edgy garage rock and soft-spoken, pseudo-folk meanderings. On first listen, I prefer the latter, but catch me in a different mood and I'll crank the harder stuff. It's pretty good, this record. I wouldn't give it the five stars it has so far in iTunes, but I'll grant it the four it has in eMusic.
Despite part of my heritage, I'm not a big fan of Celtic music in any form. And, despite that statement, I don't hate Lissa Schneckenburger's new Song. It's still not really my thing, but I can objectively say that it's lovely. I'd say it's comparable to Kate Rusby's approach to the genre. The light and airy sonic landscape provides a nice setting for her delicate voice and fierce fiddle to play around each other in. The voice/fiddle integration of Song will be followed next year by Dance which will focus more on fiddle tunes.
It's that time of the month when I get to tell you about my latest benefit compilation. I think this one will be right up everyone's alley. It's called
Music from the Aisle of Lesbos (yes, I meant aisle, not isle) and proceeds go to the Astraea Lesbian Foundation for Justice. The purpose was to show the range of voices amongst lesbian artists and it includes songs from
Adrianne, Hanifah Walidah, The Ditty Bops, Natalia Zukerman, Rachael Sage, Amy Cook, Kym Tuvim, The Butchies, BoySkout, and
L.P., plus previously unreleased tracks from
Kristen Hall and
Maia Sharp. It's a fun collection. My two straight male engineers said it was their favorite compilation so far in the series, so it seems the bridge-building aspect worked. Support our community in more ways than one by buying it at iTunes or eMusic or
my website starting next Tuesday (4/22).
7 Comments
Me and Mariah
Hey Kelly, Thanks for your blog above. I love all these ladies as well they rock! I must say though I am a true Mariah Carey fan and she has some HOT tracks on that new album of hers... just saying. :)
Please take her to a far far
Please take her to a far far away away place and have fun. We thank you!
oh you would!
But your gauge for hot is Streisand, so I need a little salt when I heed your opinions.
How
How did you retain that information. I f***ing love Streisand...Barbra can you hear me!
She can hear you, alright!
She can hear you, alright!
dude,
will download the compilation for sure.
...won't dare ask for a freebie ;)
Your mama sure raised you
Your mama sure raised you right.